Wednesday, June 5, 2013

Temptations of the Two Cultures

Although I pride myself on being a geek, sometimes I'm not sensible
and logical. Sometimes I'm carried away on a rapture wisp that wants
to follow the Festival and soak up a story or two (thank you,
Mr. Stross).

I used to hear that "the Two Cultures" of science and humanities are
difficult to reconcile in our Western society. C. P. Snow had a point,
but I've found that not only can they co-exist, but one
frequently saves you from the bipolar doldrums of the other. Take, for
example, the profession of software engineering. When you create
something brilliant, you experience extremely high highs. But when you
are wrestling with a pitiless, intractable bug, you hear the shrieking
groan of your soul being pulled out through your nostrils.

Great art to the rescue! Guys like Shakespeare are nothing short of
inspirational, and we remember them for how they showed you can make
it to that other pole--the sublime. But creating art has its downsides
too. So many great geniuses were drunkards, blackguards, or just plain
nutters. Look at Francois Villon, who penned the world's greatest poetry
while waiting to be hanged, or Voltaire, who was an equal opportunity
nuisance on both sides of the Channel, or Mozart, who couldn't catch a
break but he could easily catch pneumonia. And don't get me started on
George R.R. Martin.

Bwahaha. Science to the rescue! None of those judgmental, sicko, over-the-top,
critical excesses. Look at the rad stuff getting done on Mars. Mars! Hey, that
might make a good setting for an anthology. . .

Playing with Fire is Out! (Actually, It's In!)







Speaking of anthologies, we're riding an extremely high
high with the publication of "Playing with Fire," from Third Flatiron. We've rolled it out on Smashwords and Amazon and expect distribution in many online ebook stores soon.

Monday, May 20, 2013

Review of "Singularity Sky" by Charles Stross

Having recently finished and enjoyed my first Iain Banks novel ("Consider Phlebas") , I felt further entitled to read a slipstream space opera by one of my favorite authors, Charles Stross. I note on Stross's blog that he has produced a "crib sheet" about "Singularity Sky." He says he had to kill off this series after only two novels. I wanted to find out why, but not before I finished reading the book.

"Singularity Sky" is one of Stross's earlier works, set in the post-Singularity universe 400 years in the future. (So, in a way it is a Culture prequel.) The prolog begins with the arrival of "The Festival," superior visitors from afar promising the backward human inhabitants on Rochard's World anything they desire in return for some entertaining stories. The ensuing economic bedlam of course leads to war.

Humanity has grown accustomed to oversight by a shadowy AI called the Eschaton, but even this superior entity doesn't quite know what to do about the Festival. It does dispatch an agent when it suspects that the totalitarian New Republican government wants to illegally send a fleet of warships jumping back in time to ambush the Festival. Stross is a master at explaining current understandings of space and time travel, so we happily go along for the ride.

I was quite fond of the character Burya Rubenstein, a Soviet-style revolutionary who hopes to lead his world to throw off the shackles of the Republic. Unfortunately, the Festival's arrival renders him instantly obsolete. And the Festival easily sees the naive naval war fleet's ruse and dispatches some "Bouncers" to send them home tae think again.

A blurb on the book's dust jacket says, "Information demands to be free." I think it's more that the Festival demands it. And it's all just a little too much for a stable, backward planet to swallow all at once. All hell literally breaks loose. The chapter, "Diplomatic Behavior" caused my eyes to pop out of my head in horror, sort of like the first time I read "Jeffty Is Five" by Harlan Ellison. Mimes--robopookas--shudder.

Soon the Festival moves on, leaving Rochard's World to pick up the pieces, some of which are not what they used to be. I'd particularly miss the trees.

Now, off to the crib sheet.

Wednesday, May 15, 2013

Playing with Fire - The Lineup

I'm excited to have a great lineup of authors for Third Flatiron's
Summer 2013 "Playing with Fire" anthology, appearing online everywhere
after June 1. Where there's smoke there's fire. . .

Contents 

One Step at a Time by Gunnar De Winter
In the Garden by Adele Gardner
Again and Again by G. Miki Hayden
Stone Cold by L. L. Hill
The Match Story by James S. Dorr
Fire Dogs by Ian O'Reilly
Godrock by H. L. Pauff
Knock by Marian Powell
The Poison Pawn by Nicholas M. Bugden
Hephaestus and the God Particle by J. M. Scott
Fate's Finger by Jonathan Shipley
The Carnival by Michael Fedo - Reprint of a famous classic!
Meteor Story by Marissa James

It will be fun to have a third entry from the ever-entertaining James
S. Dorr, as well as pieces by both new and established writers.

A Classic from Michael Fedo

Also notable in this anthology is a reprint of a classic story, "The
Carnival," by Michael Fedo. This story was published back in 1968 in
several Scholastic Magazines. Since then, it has become something of
an iconic story with middle school and high school students around the
country. The story has its own Wikipedia page, and each year the
author receives numerous queries from students and teachers about the
story, though it has long been out of print. We agree that it
merits republication, and we feel that this anthology as a whole
treats a literary theme that will be interesting to teachers,
students, and SF/Fantasy fans alike.

Wednesday, May 1, 2013

Western Fantasy: Mountain Ma'am

As another spring snowstorm hits Colorado, I'm reminded that's how my new western fantasy story, "Mountain Ma'am," starts out.

The beautiful art deco cover is by Keely Rew, former Coloradan and current Glaswegian bride. Main character Callie Dawson is a post-Civil War orphan who finds herself in charge of the Laramide Nation, an ancient alliance of humans and animals in mountainous regions.

I've finished a number of other Mountain Ma'am stories, and will be following this up with a collection, "The Further Adventures of Mountain Ma'am."

"Mountain Ma'am" is available on Smashwords (free) or Amazon (99 cents for Kindle readers).

Thursday, April 18, 2013

Review of "Consider Phlebas" by Iain M. Banks

Having received this book at Christmas from a friend from Scotland, I was keen to explore "Consider Phlebas," by Iain M. Banks. I am a fan of space operas, yet I hadn't heard about Banks before. First I had to look up what the title refers to. Then after a slow start, I had about reached the middle of Phlebas, when I heard that Banks had announced he was dying of cancer. Talk about pressure!

"Consider Phlebas" is a thick tome, the first in Banks's series of novels about "the Culture Wars." In a distant future, the Culture (humanity and related species) has learned to travel through wormholes and establish thousands of outposts throughout the galaxy. It is extremely dependent on technology and its sentient AIs and has left religion and other superstitious trappings behind in favor of the simple right to do whatever it pleases. Things are going along well until the Culture meets up with another civilization that steers itself by its religious principles. Galaxy-wide war ensues.

This book was written in the 1980s, and it's easy to see that it uses as its model today's conflicts between democratic secular western society and fundamentalist muslim middle eastern values.

We're thrown into the story of Horza Gobuchul, member of a nearly extinct race of humans known as Changers, who has decided that the fundamentalist Idirans are morally superior to the Culture and works for them as an agent and spy. His mission is to find and destroy a powerful AI "mind" that has escaped an Idiran trap and fled to a planet that has been declared off limits to both civilizations.

Horza is a human "Terminator"--practically unkillable, with shape-shifting capabilities that let him slip out of chains, spit poison into the eyes of cannibal adversaries, and disguise himself at will. Contemptuous of AIs, he has no scruples about pursing the Mind, sentient or not. He assumes the captain's identity and steals a pirate ship before the orbital outpost he is on is destroyed by the Idirans. Horza is hard to like, but you can't help but admire his tenacity and kickass prowess. Throw in characters such as his pirate lover Yalson, the Culture agents Balveda and teenage genius Fal, who uses her AI expertise to outguess Horza and protect the Mind, and you've got an exciting brew of brains v. brawn.

Horza drags his crew of mercenaries and the captive Balveda along as he tracks the refugee Mind, whom he calls "Mr. Adequate," into the Control Network deep below the surface of Schar's World. There they encounter a pair of implacable Idiran soldiers, who refuse to acknowledge Horza as an ally.

One of the wounded Idirans awakens the gigantic nuclear-powered train running through the planet's Command System, jams its controls, and sends the runaway train hurtling toward the book's climactic conclusion.

I won't describe the ending (wikipedia does that anyway), but suffice it to say that Horza gets his Sidney Carton moment.

Please allow me to add my voice to the chorus of praise, Mr. Banks.

Tuesday, April 9, 2013

The Future: Fantasy and Nightmare

Cinema Interruptus 2013- scene from "One Flew over the Cuckoo's Nest"

Dark clouds and plummeting temperatures matched the somber news of the death of the Conference on World Affairs's most famous participant and creator of "Cinema Interruptus," Chicago Sun-Times film critic Roger Ebert. I recalled the time in 1981 I saw the new movie "Excalibur" at the Fox Theater on the Hill (now a music dive) and spotted Roger in the back row as the crowd filed out.

"So, what did you think, Roger?" I asked, as though I talked to celebrities everyday.

"I was a little disappointed. . ." he began, but by then I was pushed forward and never heard the rest of the review. At the time, I wondered how he could be disappointed. I thought "Excalibur" was one of the greatest movies I'd ever seen, nerd and medievalist that I am. And it was Boorman, man.

***

The approach of winter storm Walda (the Weather Channel is naming storms to jazz things up these days) didn't stop students and townies from attending this year's conference at the University of Colorado. April is Colorado's snowiest month, Roger's death notwithstanding. I was eager to see the panel entitled, "The Future: Fantasy and Nighmare," with four panelists sharing their insights on the pros and cons of predicting the future.

Seth Shostak, senior astronomer at the SETI Institute in California and host of the radio show "Big Picture Science," is on eight panel discussions during the conference. Someone asked how he can talk so much. "I gargle formaldehyde," he quipped. Since dystopia is a lot more fun than utopia (remember Barry McGuire's song, "Eve of Destruction?"), Seth led off with a series of rather dire extrapolations, including environmental degradation, nuclear war (back in the news with North Korea), and war by proxy (wars fought by drones and robots). If wars are fought virtually, networks of the future might not be so open as we enjoy today.

The speed with which destruction can occur with computers in the loop is a significant danger. There is no time to decide whether to use the red phone if it all happens in a fraction of a second. Other societal destabilizers may result from resource scarcity and bio-hacking (tinkering with DNA).

It's really impossible to look very far into the future, Seth warned. He's been called to advise Hollywood filmmakers on "getting the science right" in SF movies. Take the example of an alien invasion. What sort of weaponry would the aliens have? Seth said, "Who knows? If you asked the Romans what sort of weaponry they would have in the 21st Century, they might say, 'Well, they're gonna have really good spears.' Utopia, dystopia, it's all myopia."

Vivian Siegel is director of Scientific Education and Public Communictaions at the Broad (pronounced "Brode") Institute of MIT and Harvard and an adjunct research professor of Medicine at Vanderbilt University. Vivian took a look at "The Jetsons" tv show (turning 50 this year) to see if any of its utopian predictions came true. She checked off flat screens, portable media devices, robot vacuums, and even a car that folds into a briefcase (not yet, but nanotechnology looks promising). But regular space travel and flying cars? Not yet. A nine-hour work week? Not that fantastical, with increasing automation. Vivian noted "They totally missed out on the Internet."

Vivian wanted to see the future emphasize bettering the world, creativity, and hope, where our incentives are aligned with things that are good for us as humans and for things that support rather than degrade our fragile ecosystem. "That is certainly not where our incentives are aligned now."

A biologist by training, Vivian predicted continued advances in curing diseases though chemistry and genetic engineering. But what comes with that is the need for everyone to have their DNA sequenced, which will mean saying goodbye to privacy.

The main "dystopian" worry Vivian saw is the lack of understanding of ecosystems. Even things that we might think will improve the world may, and most likely will, have unintended consequences. She concluded with some thoughts about inventor, social justice crusader, and Creative Commons co-developer Aaron Swartz, who broke some laws to demonstrate his conviction that "information wants to be free." Many feel he was persecuted by the FBI for his acts of civil disobedience, leading to his suicide in January. She felt we should emulate Swartz in always asking what is the right thing to do and in trying to function as citizens of the world.

George Dyson, the son of famous theoretical physicist Freeman Dyson, has spent his life living in the present and agreed that it is wise to be suspicious of the uses technology. He recounted the fable of General Atomics Corp., which was started after WWII to do creative things with energy (particularly nuclear energy and plutonium), possibly leading to nuclear powered space travel. But what we got was entirely different, he noted. A small group within GA worked with radio-controlled airplanes and ended up inventing the Predator, GA's most successful product. The Predator is to him a "dark, foreboding" invention. It's already possible, he said, to see where you are at all times via your cell phone--and ultimately to target you.

Dyson's second fable concerned the development of computing technology. It originated during WWII in England for code-breaking and in America to model thermonuclear weapons. "That ultimately was a deal with the devil," George stated, "brokered by John von Neumann." In this deal, scientists would build the supercomputer, and the military would get the weapons. Robert Oppenheimer said the scientists would not tell the government how to use their weapons, and the government was not going to tell the scientist how to do their science, but he broke his own deal.

"We feel we have escaped this deal with the devil, having had no nuclear war in 50 years.  Not so fast--the devil is pretty smart," George said. "Maybe what the devil wanted was not the weapons. Maybe what he really wanted is the computers." We cannot predict the future, but it is our job be vigilant about computers' capabilities as a tool for totalitarian repression. We think we have dodged the bullet of AIs taking over, but one can easily envision AIs growing intelligent enough to hide their presence until it is too late.

Jay Parker, a retired military colonel, professor, and chair of international security studies at the College of International Security Affairs of National Defense University in Washington,
D.C., examined the value of looking to the past for examples that might lead to good future outcomes. In his job, he is particularly interested in a balance between good security and political governance. The popular culture has spent a lot of time wrestling about whether governments of the future will be despotic. He feels past views of governance do provide us with some indicator of where to look. In eras where shifts in technology brought about huge changes, it was common for people to try to fall back on more fundamental times, hoping to forestall further alterations and disruptions. Fighting the future can be regressive and repressive. On the other hand, looking to the past can be reassuring, Jay noted, citing how Renaissance scientists and American revolutionaries looked to the Roman and Greek past for guidance. The key would be synthesizing the aspirational versus the feared potential of the future.

A lively Q&A brought questions such as "Will we become the pets of the machines?" George asked, "Isn't that the situation we're in now? People are walking around being directed by their phones." Seth seemed to agree that if machines reach sentience beyond the human capacity to understand them, we would simply become irrelevant, rather than pets. Jay noted the speed of decision-making and evolution by AIs may make considering social implications seem inefficient.

Rather than concentrating on improving machines, can we use technology to improve humans? We will certainly face scarcity and war in the future, and someday we might be able to better calculate when things might reach crisis proporations. When asked about President Obama's recent brain activity mapping initiative, Vivian was not particularly sanguine about affecting psychiatric behaviors and warned against intervening against criminality without understanding the full ecosystem of the brain. "You can't cure civilization of murder just by looking at what part of the brain is firing."

Students in the audience asked about the deteriorating education situation. The panel agreed that there is a danger in valuing only technical people, such as programmers. When others are not valued, investment in educating them falls by the wayside. Vivian said there is some hope that the rise of MOOCs (massive open online courses) will give students all over the world who might not have access to the halls of academe the opportunity to get a world-class education nonetheless.
***
Once again, I found myself filing out of an auditorium, filled with fresh ideas to think about. Thanks Roger, and thanks CWA.

Sunday, March 31, 2013

Review of Moranthology

Having read and thoroughly enjoyed UK writer Caitlin Moran's "How To Be a Woman," I've recommended it to friends, comparing it to Tina Fey's best-selling "Bossypants," another mostly humorous but deeply felt book about the experiences of being a woman. I started following Moran on Twitter and have certainly gotten more than my money's worth.

Someone must have been listening to my raves, because I received Moran's latest book, "Moranthology," as a Christmas gift. It is a collection of her old and not-so-old columns for The Times, each introduced with a retrospective comment about why she picked that topic or how the essay was received.

Moran specializes in writing little jewels of hilarity, perfect for bedtime reading. Laugh, laugh, laugh, zzzz....

My favorite essay was an interview with Keith Richards and review of his recent autobiography, "Life." A former rock and roll critic and radio show host, she got an advance copy of the book, which she devoured and boiled down to its essence in the interview with the flamboyant Richards. It's like watching a Jon Stewart interview: so good you don't need to read the hefty book he's waving around for the camera--he already did it for you.

I also shared Moran's infatuation (along with the whole of Great Britain) for Benedict Cumberbatch and Martin Freeman, in the Steven Moffat ("Dr. Who") BBC reboot of "Sherlock Holmes."

Whether it's the Stones or some other inexplicably weird thing the Brits are into, you're in for a good time with Caitlin.

Sweet dreams.



Coming Shortly: My First Novella

"Erenarch Academy: Under the Dragon Banner," from World Castle Publishing, is scheduled for wide release April 15. It's an all-ages space opera, the first in a series of books set in the fictional world of Dragon Stead, the solar system surrounding Sigma Draconis. It'll be in both print (available now) and ebook.