Tuesday, April 9, 2013

The Future: Fantasy and Nightmare

Cinema Interruptus 2013- scene from "One Flew over the Cuckoo's Nest"

Dark clouds and plummeting temperatures matched the somber news of the death of the Conference on World Affairs's most famous participant and creator of "Cinema Interruptus," Chicago Sun-Times film critic Roger Ebert. I recalled the time in 1981 I saw the new movie "Excalibur" at the Fox Theater on the Hill (now a music dive) and spotted Roger in the back row as the crowd filed out.

"So, what did you think, Roger?" I asked, as though I talked to celebrities everyday.

"I was a little disappointed. . ." he began, but by then I was pushed forward and never heard the rest of the review. At the time, I wondered how he could be disappointed. I thought "Excalibur" was one of the greatest movies I'd ever seen, nerd and medievalist that I am. And it was Boorman, man.

***

The approach of winter storm Walda (the Weather Channel is naming storms to jazz things up these days) didn't stop students and townies from attending this year's conference at the University of Colorado. April is Colorado's snowiest month, Roger's death notwithstanding. I was eager to see the panel entitled, "The Future: Fantasy and Nighmare," with four panelists sharing their insights on the pros and cons of predicting the future.

Seth Shostak, senior astronomer at the SETI Institute in California and host of the radio show "Big Picture Science," is on eight panel discussions during the conference. Someone asked how he can talk so much. "I gargle formaldehyde," he quipped. Since dystopia is a lot more fun than utopia (remember Barry McGuire's song, "Eve of Destruction?"), Seth led off with a series of rather dire extrapolations, including environmental degradation, nuclear war (back in the news with North Korea), and war by proxy (wars fought by drones and robots). If wars are fought virtually, networks of the future might not be so open as we enjoy today.

The speed with which destruction can occur with computers in the loop is a significant danger. There is no time to decide whether to use the red phone if it all happens in a fraction of a second. Other societal destabilizers may result from resource scarcity and bio-hacking (tinkering with DNA).

It's really impossible to look very far into the future, Seth warned. He's been called to advise Hollywood filmmakers on "getting the science right" in SF movies. Take the example of an alien invasion. What sort of weaponry would the aliens have? Seth said, "Who knows? If you asked the Romans what sort of weaponry they would have in the 21st Century, they might say, 'Well, they're gonna have really good spears.' Utopia, dystopia, it's all myopia."

Vivian Siegel is director of Scientific Education and Public Communictaions at the Broad (pronounced "Brode") Institute of MIT and Harvard and an adjunct research professor of Medicine at Vanderbilt University. Vivian took a look at "The Jetsons" tv show (turning 50 this year) to see if any of its utopian predictions came true. She checked off flat screens, portable media devices, robot vacuums, and even a car that folds into a briefcase (not yet, but nanotechnology looks promising). But regular space travel and flying cars? Not yet. A nine-hour work week? Not that fantastical, with increasing automation. Vivian noted "They totally missed out on the Internet."

Vivian wanted to see the future emphasize bettering the world, creativity, and hope, where our incentives are aligned with things that are good for us as humans and for things that support rather than degrade our fragile ecosystem. "That is certainly not where our incentives are aligned now."

A biologist by training, Vivian predicted continued advances in curing diseases though chemistry and genetic engineering. But what comes with that is the need for everyone to have their DNA sequenced, which will mean saying goodbye to privacy.

The main "dystopian" worry Vivian saw is the lack of understanding of ecosystems. Even things that we might think will improve the world may, and most likely will, have unintended consequences. She concluded with some thoughts about inventor, social justice crusader, and Creative Commons co-developer Aaron Swartz, who broke some laws to demonstrate his conviction that "information wants to be free." Many feel he was persecuted by the FBI for his acts of civil disobedience, leading to his suicide in January. She felt we should emulate Swartz in always asking what is the right thing to do and in trying to function as citizens of the world.

George Dyson, the son of famous theoretical physicist Freeman Dyson, has spent his life living in the present and agreed that it is wise to be suspicious of the uses technology. He recounted the fable of General Atomics Corp., which was started after WWII to do creative things with energy (particularly nuclear energy and plutonium), possibly leading to nuclear powered space travel. But what we got was entirely different, he noted. A small group within GA worked with radio-controlled airplanes and ended up inventing the Predator, GA's most successful product. The Predator is to him a "dark, foreboding" invention. It's already possible, he said, to see where you are at all times via your cell phone--and ultimately to target you.

Dyson's second fable concerned the development of computing technology. It originated during WWII in England for code-breaking and in America to model thermonuclear weapons. "That ultimately was a deal with the devil," George stated, "brokered by John von Neumann." In this deal, scientists would build the supercomputer, and the military would get the weapons. Robert Oppenheimer said the scientists would not tell the government how to use their weapons, and the government was not going to tell the scientist how to do their science, but he broke his own deal.

"We feel we have escaped this deal with the devil, having had no nuclear war in 50 years.  Not so fast--the devil is pretty smart," George said. "Maybe what the devil wanted was not the weapons. Maybe what he really wanted is the computers." We cannot predict the future, but it is our job be vigilant about computers' capabilities as a tool for totalitarian repression. We think we have dodged the bullet of AIs taking over, but one can easily envision AIs growing intelligent enough to hide their presence until it is too late.

Jay Parker, a retired military colonel, professor, and chair of international security studies at the College of International Security Affairs of National Defense University in Washington,
D.C., examined the value of looking to the past for examples that might lead to good future outcomes. In his job, he is particularly interested in a balance between good security and political governance. The popular culture has spent a lot of time wrestling about whether governments of the future will be despotic. He feels past views of governance do provide us with some indicator of where to look. In eras where shifts in technology brought about huge changes, it was common for people to try to fall back on more fundamental times, hoping to forestall further alterations and disruptions. Fighting the future can be regressive and repressive. On the other hand, looking to the past can be reassuring, Jay noted, citing how Renaissance scientists and American revolutionaries looked to the Roman and Greek past for guidance. The key would be synthesizing the aspirational versus the feared potential of the future.

A lively Q&A brought questions such as "Will we become the pets of the machines?" George asked, "Isn't that the situation we're in now? People are walking around being directed by their phones." Seth seemed to agree that if machines reach sentience beyond the human capacity to understand them, we would simply become irrelevant, rather than pets. Jay noted the speed of decision-making and evolution by AIs may make considering social implications seem inefficient.

Rather than concentrating on improving machines, can we use technology to improve humans? We will certainly face scarcity and war in the future, and someday we might be able to better calculate when things might reach crisis proporations. When asked about President Obama's recent brain activity mapping initiative, Vivian was not particularly sanguine about affecting psychiatric behaviors and warned against intervening against criminality without understanding the full ecosystem of the brain. "You can't cure civilization of murder just by looking at what part of the brain is firing."

Students in the audience asked about the deteriorating education situation. The panel agreed that there is a danger in valuing only technical people, such as programmers. When others are not valued, investment in educating them falls by the wayside. Vivian said there is some hope that the rise of MOOCs (massive open online courses) will give students all over the world who might not have access to the halls of academe the opportunity to get a world-class education nonetheless.
***
Once again, I found myself filing out of an auditorium, filled with fresh ideas to think about. Thanks Roger, and thanks CWA.

Sunday, March 31, 2013

Review of Moranthology

Having read and thoroughly enjoyed UK writer Caitlin Moran's "How To Be a Woman," I've recommended it to friends, comparing it to Tina Fey's best-selling "Bossypants," another mostly humorous but deeply felt book about the experiences of being a woman. I started following Moran on Twitter and have certainly gotten more than my money's worth.

Someone must have been listening to my raves, because I received Moran's latest book, "Moranthology," as a Christmas gift. It is a collection of her old and not-so-old columns for The Times, each introduced with a retrospective comment about why she picked that topic or how the essay was received.

Moran specializes in writing little jewels of hilarity, perfect for bedtime reading. Laugh, laugh, laugh, zzzz....

My favorite essay was an interview with Keith Richards and review of his recent autobiography, "Life." A former rock and roll critic and radio show host, she got an advance copy of the book, which she devoured and boiled down to its essence in the interview with the flamboyant Richards. It's like watching a Jon Stewart interview: so good you don't need to read the hefty book he's waving around for the camera--he already did it for you.

I also shared Moran's infatuation (along with the whole of Great Britain) for Benedict Cumberbatch and Martin Freeman, in the Steven Moffat ("Dr. Who") BBC reboot of "Sherlock Holmes."

Whether it's the Stones or some other inexplicably weird thing the Brits are into, you're in for a good time with Caitlin.

Sweet dreams.



Coming Shortly: My First Novella

"Erenarch Academy: Under the Dragon Banner," from World Castle Publishing, is scheduled for wide release April 15. It's an all-ages space opera, the first in a series of books set in the fictional world of Dragon Stead, the solar system surrounding Sigma Draconis. It'll be in both print (available now) and ebook.





Thursday, March 14, 2013

Free Stuff and Feminism (Alliteration)

I've put a bit more free stuff out there in web form, including the lead stories of three of Third Flatiron's anthologies:

Quarantine, by Edward H. Parks - Universe Horribilis anthology

Of Men and Gods, by T.A. Branom - Origins: Colliding Causalities anthology

The Man Who Couldn't Die, by David L. Felts - A High Shrill Thump: War
Stories anthology

People can get these stories free anyway, if they are sampling the anthologies on Smashwords or Amazon, so I hope this makes it easier for folks who stop by my blog to get samples this way.

I've also put one of my own flash fiction stories, "Jam Night," on my author website at julianarew.com.

The new anthology, "Universe Horribilis" is selling a little better than the previous one, but it is a tough slog to get reviews or readers. I've raised the author pay rate in hopes of attracting more good writers and working our way up to pro rates. But I have to say the ones I've found so far are quite good! Please buy them! We've got some great female authors, like Sarina Dorie and Robina Williams!

Speaking of Reviews

I would encourage everyone to get on over to the Lady Business website to see Renay's (I guess she just goes by Renay?) analysis of a randomly selected set of SF book bloggers and whether there is sex bias in what gets reviewed. Of course there is. She counted the number of reviews of authors that were female as compared to the reviews of authors that are male. The results:

    Group blogs: 25% women
    Female bloggers: 58% women
    Male bloggers: 19% women

Even I, a purported feminist, suffer from a tendency to skew toward reading (and reviewing) stuff with a male name on it. Probably that's why I read Julian May, James Tiptree Jr., Andre Norton, and . . . Oh, wait.

Friday, March 1, 2013

Universe Horribilis is Out!

We're pleased to report that "Universe Horribilis" from Third Flatiron Anthologies is out. This is one of our "darker" issues, with some adult themes, but there's plenty of quirky humor in there too. We point you to the cover story, "Concerning That Whole God Thing," by Curtis James McConnell, and "If You Were the Last Man on Earth..." by prolific reviewer and rising star Sheryl Normandeau, as cases in point.

We've rolled "Universe Horribilis" out on Smashwords and Amazon and are hoping somebody will be wise enough to buy it. "Universe Horribilis" is also available on Kobo, and Barnes and Noble, and should be on iTunes soon.

We're still working to find out how to get our books in front of more readers. We took out an ad last month in Locus Online, sent our books to Locus Online , Big Al's Books and Pals, and SF Signal in hopes of generating some reviews. I'm trying to spend a little time every day at what I call "Daily Marketing" activities, hanging out at forums, checking out book bloggers, etc.

As a reward to myself, I allow myself to write stories and shop them around to semipro and pro markets. No luck so far in the pro markets, but I did get a couple of recent acceptances from Song Stories Press (for my story, "Love Is In Your Future") and  Bards and Sages Quarterly (for my story, "Everybody Ought to Have a Maid," queued up for the July issue). I keep a writing log on my author website, julianarew.com.


Tuesday, February 19, 2013

Amour Review

I was shaken (and stirred) by the French film, "Amour," starring
Jean-Louis Trintignant and Emmanuelle Riva. Georges and Anne are a
well-to-do elderly Parisian couple who are prominent in the classical
music world. Then Anne suffers a stroke, and the idyllic life they've
known comes to an end.

I've seen all of this before in real life. My grandmother suffered a
series of strokes and spent her last few years in my aunt's nursing
home, wasting away while her heart kept beating. My husband's father
spent his final years unhappily away from his wife of 50 years in a
nursing home. Other friends and family members have suffered
depression and debilitating illness. The thought that a movie needs to
show people what it's like to have a sick person in the family at
first seems disingenuous.

Yet, it's true that our society tends to gloss over the heartbreak,
fear, and pain of the end of life. It's all right to briefly mention
an illness, but everyone really would rather not hear about it right
now. It's too heavy, man. But the emotions are real, and you can't
really rationalize them, even though you can accept them intellectually.

Anne and George try to hide their plight as much as possible, from
their illustrious students, their neighbors, and even their
daughter. Anne is terrified of hospitals and of losing her
independence. If you're middle-aged, you might have heard your parents
blithely announce they were in the hospital last month, but they're
fine now. They keep it a secret as long as possible, since they feel
it's a weakness to admit to weakness. Or at the very least sad, and we
wouldn't want anyone to be sad, would we?

Although rich enough to afford in-home nursing care, Georges is
frustrated by what he thinks is the insensitive care the nurses are
giving his beloved wife (she keeps murmuring "mal"--it hurts). Yet he
himself succumbs to anger and slaps his wife when she refuses to
eat. Then he gets to live with the guilt. Love hurts.

Even though "Amour" measures itself at a seeming snail's pace, the
stress buildup is incredible. My blood pressure and pulse were
surely elevated for days after viewing it. As with all horror movies,
"Amour" is not for the faint of heart.

Sunday, February 10, 2013

Universe Horribilis Lineup

Need something new for your e-Reader?

Yup, Third Flatiron Anthologies (please bookmark or like us!) is working on its fourth e-anthology of SF short stories. On March 1, we'll be putting out "Universe Horribilis" on Smashwords and Amazon (with other distributors to follow). Congrats to the following authors, who have concocted a tasty stew of stories about how the universe is out to kill us. We appreciate the help in reading submissions by Andrew Cairns and the great cover by Keely Rew!



Contents
Quarantine, Edward H. Parks
Concerning That Whole God Thing, Curtis James McConnell
Master Donne, Robin Wyatt Dunn
The Reading, James S. Dorr
Kernels of Hope, Sarina Dorie
Freedom As Commodity, Marilyn K. Martin
Not Enough Hairspray, Siobhan Gallagher
Whimper, Jennifer R. Povey
...If You Were the Last Man on Earth, Sheryl Normandeau
Sannakji, Jack M. Horne
The Labyrinth of Space, James H. Zorn
The Eleanor Effect, Rich Larson
Princess Thirty-Nine, Clare L. Deming
The Prison Rose, David Luntz

Friday, February 1, 2013

Whither Journalism?

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Well, it's time to reminisce about my J-School days in the 70s. We all smoked, drank, and typed on clunky old Remingtons. We were fast, accurate typists, because backspace wasn't the same as erase. The profs told us the school was on the ragged edge of being disaccredited, because it often failed to meet the university's academic standards. So, they were going to flog us until the School of Journalism was back in its good graces. It worked.

We learned to cover the courts, review music and movies, and write features. We learned about the great journalists and freedom of the press. My favorite journalist was E.B. White, the "Sage of Emporia." Never cared much for "Charlotte's Web," though. Too scary, like "Alice in Wonderland." We learned about history. I knew why Abraham Lincoln freed the slaves before Spielberg made the movie. Did you? We learned we could get out of jury duty simply by saying we were journalists. We learned to copy-edit, and committed Strunk and White and Fowler to memory. They told us not to get cocky about being writers--journalism was a trade, not a profession. A low-paying one, at that. We got jobs with the local newspapers and drove around collecting ads for the supermarkets and buying beer for the typesetters as they put the paper to bed. I still cherish a Linotype slug that Marlon tossed me. I caught it without thinking. Aiyee--hot lead.

This year, CU closed its Journalism school. Now Journalism's just a major in the Arts and Sciences School. Apparently accreditation was in danger again, and the school wasn't keeping up with rapid changes in the industry. One of the major Denver dailies had just closed. Whatever. Enrollment in the major is higher than ever.

This is not to say that journalism isn't experiencing hard times. Even if the Journalism School wasn't highly respected back in my school days, it was everyone's duty to stay well-informed. My Sociology Prof Howard Higman (founder of the Conference on World Affairs) required us to read Time Magazine cover to cover every week (Newsweek was kind of right wing for our tastes). Although I later moved to Newsweek, I kept the habit.

Now Newsweek has gone all-digital. I've read a couple of issues on my laptop, but it's not as convenient as having it delivered to my mailbox every week. The New Yorker ran an article, "NEWSWEEKLY," by Mark Singer, about a reunion of Newsweek staffers from the 70s and 80s, which they described as "more of an Irish wake than shivah." Things were better in the old days, all agreed, and they had expense accounts. In the same New Yorker spread, the Dept. of Cute featured a piece called "PUPPIES!" by Andrew Marantz, about how anchorman Brian Williams and his pretty daughter Allison (a star of HBO's "Girls") were taping a show on Animal Planet to be shown against the Super Bowl, called "Puppy Bowl IX." (Nine?!) A more blatant blurring of the line between news and infotainment I've ne'er seen.

NPR interviewed humorist Dave Barry last week, who's got a new book out, Insane Miami. He no longer writes a column for Miami's great daily, the Miami Herald, and observed that journalists were tweeting 53 one-liners rather than writing 800-word columns. Writing articles takes time, and who's got that? True, but I have to say I see Neil Gaiman chirping his head off, and he still manages to write books.

I face a dilemma. Which of my remaining hardcopy subscriptions am I going to read cover to cover now? The Atlantic? The New Yorker? Science News? Scientific American? Discover? Consumer Reports?  It probably won't be Newsweek.